Netflix ofreció detalles de su plan de nivel AVOD durante su Upfront en Nueva York, revelando que cerca de cinco millones de clientes han elegido la opción desde su lanzamiento hace seis meses en este…
Caracol TV sigue siendo uno de los distribuidores latinos que más genera acciones superadoras. Tras el lanzamiento de su unidad de producción en México hace dos años, la cual vino de la mano de la…
Tras el anuncio del retiro de Tomás Yankelevich de las filas de Warner Bros. Discovery, la compañía anunció la sucesión y promoción de Mariano Cesar al cargo de Líder de Contenidos de Entretenimiento General para…
TelevisaUnivision hizo la presentación de su upfront 2023-24, donde además reforzó su apuesta como la ‘opción predilecta de los hispanos’, destacando su alcance y contenido que impulsa la cultura, como también su capacidad líder en…
En el marco de los LAS 23, Caracol Televisión e Inter Medya anunciaron un acuerdo de coproducción para el drama Leylifer, que será producido por Alim Yapim. La nueva serie de la factoría turca, será…
Carlos Quintanilla, el ejecutivo mexicano que se desempeñaba como VP de desarrollo de contenido original de Telemundo Streaming Studios, se incorporó a Sony Pictures Television como VP de contenido original para Latinoamérica, así lo informó…
Warner Bros. Discovery anunció que Tomás Yankelevich, el hasta ahora EVP & Chief Content Officer de General Entertainment para Latin America y US Hispanic, dejará su rol como líder de los equipos de contenido y…
‘NATPE Global regresa al calendario de eventos de la industria en 2024’, acaba de informar Russell Goldstein, presidente y director ejecutivo de Brunico. El evento vuelve al circuito de mercados de contenido luego de que…
Los Ángeles vuelve a ser el epicentro de los negocios de la TV: del 17 al 19 de mayo se realizarán los LA Screenings Independientes, y el 18 y 19 Content LA, ambos en el…
The epic and long-awaited Fresh TV sessions focused on scripted series and kids’ content on the penultimate day of MIPTV 2023 in Cannes. With a well-attended session at the Debussy Theatre, and the next as…
María Jesús Pérez, International Sales Director of RTVE, described the company’s participation at MIPTV as ‘very good’. The executive highlighted the good influx of business and the presence of its partners and clients. ‘This year…
At the closing of the 2023 edition of MIPTV 2023, RX France announced that in-person participation this year increased by 22% compared to last year, and released some figures: 5,650 participants from 86 countries, including…
Since premiering on a streaming platform last week, Copycat Killer has created a new record in Taiwanese series history. It has landed on Netflix’s Global top 2 for Non-English TV chart, with viewing hours still…
FRAPA hosted its bi-yearly Summit in Cannes on Tuesday. The 90-minute session was welcomed by Jan Salling who repeated the necessity of being a FRAPA member and the advantages attends have as a member. Most…
Being a historical event, the launch of TV Monaco marked the first time that a Monaco National Television Channel it’s been created it started when Prince Albert, (Head of State), decided that the country should…
On this third day of the market, representatives of Sony discussed two new developments in the production of visual media: Virtual production services provided by the Sony partner PIXOMONDO in the area of VFX and…
Ruth Berry, Managing Director, Global Distribution, Global Entertainment at ITV starred the mastermind keynote of the third day of the market at MIPTV 2023. The executive talked about her new role at the company and…
With a solid strategy focused on alliances with leading companies in the content production sector in France and other European countries, Mediawan continues to consolidate its position as one of the most important media groups…
It was just before the pandemic, in 2019, when the two broadcasters strengthened their first partnership, whereby they joined forces to develop and produce non-scripted historical fact content with the quality that identifies them.The first…
On the huge investments in creative content in specific markets, and positioning himself against the tax on big technologies, a measure that the European Commission intends to impose, the co-CEO of Netflix, Greg Peters, participated…
With a population of over 676 million, rapidly growing mobile broadband penetration, and fewer regulatory barriers than other markets, Southeast Asia remains an emerging market for streaming services. Valuates Report estimates that the global OTT…
Merzigo, the cutting-edge technology and monetization company, completed its major monetization deal with Medyapim and all its subsidiary companies in a 4-year agreement. The signing of the contract signifies the birth of an important company, concluding the…
Korea Creative Content Agency (KOCCA), the governmental agency that oversees and coordinates the promotion of the Korean content industry in South Korea, presented its international highlights at MIPTV 2023. During a dedicated session, the agency…
Anna Marsh, CEO of Studio Canal, views that the industry is in a difficult situation because, ‘after all the effort of creating a network of production companies working really fast with very short development times, the bubble has burst and the industry is going through challenging times due to the current affairs instability in Europe’, assured the executives on the second panel during the first day on MIPTV in Cannes. Another change in the industry that is reflected in Studiocanal is the addition to their feature film catalogue of TV production, and Marsh announced the development of a TV series called How to Stop Time produced with SunnyMarch, the production company of Benedict Cumberbatch‘s, who will also be acting. Studiocanal is in a very good position that allows them to be in a unique position to build IP, and now they are focusing also on franchises thanks to the success of Super Mario and Paddington. Marsh also highlights the importance of respecting the values of the authenticity of the program and their audiences while developing a franchise. Last but not least, getting into how much global streaming services have changed the industry with their full exclusive rights in perpetuity to keep audiences in the platform, pivoting to a revenue-based approach that has changed to a more traditional way of working with content. Production companies have seen the streamers’ business model as a risk, but they are definitely partners to production companies, and it is important to work together; however, these changes will open up opportunities.
Mediawan has announced the acquisition of a majority stake in the Emmy Award-winning company Submarine which develops and produces international scripted series and feature films, animation (kids and adult) and documentaries. Submarine has established itself…
One of the first “Mastermind Keynotes” at MIPTV 2023, Emmy winner, Evan Shapiro, reviews hard data about the digital world, how persons are consuming content, and how new technologies are driving new behaviors when it…
The leading independent German film and television group, presented the first exclusive images of its big upcoming releases. One of these is La Storia, produced by Picomedia with France’s Thalie Images in co-production with Beta…
Olympusat returns to MIPTV to continue exploring the AVOD/FAST business and linear dedicated TV channels, with the presentation of channels focused on movies and TV series. In an interview with Prensario, Aurora Mohler, Chief Content…
The role of subtitling, dubbing, and post-production companies has become much more central in the OTT digital age. If before it was to deliver a concrete and ready product, now with orders from the Platform…
Ondi Timoner’s film, The New Americans: Gaming a revolution has been acquired by Republic Pictures for worldwide distribution by Paramount Global Content Distribution. The award-winning documentarian, Timoner, most recently directed the critically acclaimed documentary, Last…
