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TRT’s tabii: from local to global

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Launched last May, tabii is the streaming platform of Turkish Radio and Television Corporation (TRT), with which it addresses the company’s digital purposes both nationally and internationally. The service debuted with Turkish content in English,… 

FPT Play: a pioneer in Vietnam’s OTT scene

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As the subsidiary of FPT Telecom (Vietnam), FPT Play is one of the country’s leading streaming services offering nearly 200 local and international linear channels and VOD content to more than 4 million viewers across… 

ATF 2023: now APAC is a more open, partnered and tech market

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This ATF 2023 is an important edition of the traditional APAC content event. Beyond the conferences, announcements and sub-events, a sensation is clear: though the Asian market is essentially local and regional, now is more… 

Multi-aggregators: the next twist for APAC content business

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          The ‘Multi-aggregators’ are telcos, pay TV operators, Internet Service Providers (ISPs), strong local players that, in Asia and the world, have created their own OTT platforms to perform as hubs for the main SVOD… 

Licensing landscape soars to new heights

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The worldwide licensing sector reached unprecedented heights in 2022, registering an astonishing revenue of $340.8 billion. This marks a remarkable 8% increase compared to the $315 billion recorded in the preceding year. Nevertheless, beyond this… 

Netflix: reshaping the streaming field in Southeast Asia

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After releasing Cigarette Girl by Indonesian director Kamila Andini on November 2, it is clear that Netflix intends to continue investing in this growing market for streaming. But the service also awaits several premieres soon,… 

Economic opportunities in Asian markets

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With the new technological advancements and the continuous changes in the world, economic opportunities in the market for media tend to arise everywhere. Being the most populated continent in the world while being the most… 

APAC’s rising OTT revenues and digital transformation

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In the past, Asian nations were distinguished by a notably strong focus on local cultural consumption. Presently, the audiovisual sector is recognized as a profitable investment prospect, driven by significant consumer interest. The media landscape… 

Pay TV improves in Asia, though global decline

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It is no a secret that traditional TV is experiencing one of its most difficult moments due to streaming. According to Ampere Analysis, the global penetration of Pay TV will experience its first annual drop… 

Amuz Distribution: new acquisitions make an interesting catalog

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Amuz Distribution, the Quebec-based company dedicated to great comedy, scripted and unscripted content, expands its mission to also help create originals and sell broadcast-ready content, securing and leveraging all rights and taking a 360 approach… 

Olympusat: its AVOD platform and Fast channels

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Olympusat has successfully widened its acquisition unit and distribution, while doing strong investments in its Free TV platform and in FAST channels. Aurora Mohler, Chief Content Officer, is acting in these season markets to implement… 

Glowstar Media: focus on fiction and un-scripted

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With fiction and non-fiction projects, Silvana D’Angelo, CEO of Glowstar Media (Argentina), is participating at the markets of the last months of the year, where seeks to boost its catalog of titles associated with big… 

Onza Distribution presents Sweet Strawberries

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Onza Distribution is going through one of its best moments. They recently celebrated their 10th anniversary and Onza’s growth as a production company goes hand in hand with the distribution area. This year they managed… 

Multicom: from classics to cult films

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Founded in 2010 by veteran film and television executive Irv Holender, Multicom Entertainment Group is a world-class independent distribution company with a focus on the global television market, OTT, mobile, and pay-per-view. At ATF, the… 

Electric boosts its international business

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Electric Entertainment is gaining attention in the international content market. Having started out as another independent American producer and distributor of films and television series, it now manages a strong slate of hit series—Leverage: Redemption,… 

Mediahub: keep moving forward

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Mediahub (Turkey) is the company of Kerim Emrah Turna, a well-known sales director who has promoted Turkish dramas since their beginnings in the international market. He has taken advantage of his experience to form a… 

WeWatch TV: strategic alliances with local impact

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Launched in Singapore in April 2021, just after COVID restrictions were lifted, WeWatch TV still offering over 100 live channels, as well as local and foreign language movies. The service have a strong presence in… 

VIDIO’s winning formula in Southeast Asia

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The VOD platform under umbrella of the Indonesian conglomerate Elang Mahkota Teknologi (Emtek), VIDIO,  has recently announced a new funding round of $100 million. This initiative aims to secure resources to compete with foreign services… 

NHK presents groundbreaking co-productions

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Presenting three major co-productions that will be highlighted at ATF, NHK is currently working to strengthen the relationship with global partners from the early stage of development which enables them to reach a broader audience.… 

The Mediapro Studio: global scale production

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With 24 offices distributed around the globe, there is no doubt that The Mediapro Studio is one of the most active companies in the audiovisual aspect. In ATF, they are boosting their most recent titles:… 

Dori Media: powerful dramas and non-scripted shows

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Dori Media Group continues non-stop with its production in Latin America and Israel, generating very strong dramas and non-scripted successes. For the APAC market, it is a global ‘all in one’ solution, with many brand-new contents… 

ORF Enterprise makes focus on ATF 2023 

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ORF Enterprise, the company based in Vienna, continues its efforts to diversify and strengthen its content portfolio. With fiction content, ORF also offers history and nature documentaries, factual documentaries and a selection of cultural titles… 

ATV seek business opportunities in Asia

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The distribution arm of ATV, one of the most watched channels in Turkey, comes from success to success. The company recently renewed the strips For My Family and The Ottoman for new seasons, which are… 

AI: an Asian guide to ethics and governance

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While the audiovisual industry is adapting to Artificial Intelligence (AI), so are the new ways of producing. AI poses a risk because of its potential impact on society and employment, but it is expected that… 

Asia-Pacific has more than half of all gamers worldwide.

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Driven by the confinement following the coronavirus pandemic, Gaming industry revenues in 2020 and 2021 were much higher than anticipated at the time. NewZoo‘s Global Games Market Report, claims that the global gaming market generated… 

ATF 2023: navigating Asia’s media landscape

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Though formally ATF 2023 starts today, yesterday was a key day for getting a picture of audiovisuals in Asia, especially APAC: technology applied to content, strategic alliances and FAST as a new big streaming model…