Following a successful unveiling in Latin America last November, Orasi Media is bringing its new production ecosystem to Europe. The company has announced that The Production Circle, its new AI-driven software platform, will be showcased…
MADD Entertainment is heading to MIP London 2026 with a robust slate of new Turkish prime-time dramas, headlined by major productions from Ay Yapım and NTC Medya. The lineup features high-profile reunions of creative teams…
RCN Studios has announced its content lineup for the upcoming European spring markets. The Colombian company is presenting four new long-running productions (80×45′ each) at MIP London, Series Mania, and Content Europe. The slate includes…
Following its major events last year, OGM has highlighted its renewed international catalog for 2026. The title headlining its slate is Deep In Love, a series that has broken viewership records in Turkey and is…
RTVE is presenting a content catalog at the January markets that spans historical fiction, contemporary social issues, and criminal investigation formats. The Spanish broadcaster’s lineup for MIP London and Content Europe includes ambitious prime-time dramas…
Brazilian media giant Globo is kicking off its 2026 European tour with a robust portfolio of true crime documentaries and scripted formats, targeting three major industry events: MIP London, Series Mania Forum, and Content Europe.…
Turkish distributor Inter Medya is showcasing a robust portfolio of new dramas and established hits at this season in European markets. The company, which has evolved from a domestic film distributor into an international content…
The European Spring pack of events has included this year MIPLondon, in its second edition with London Screenings, late February; SeriesMania, mid-March; and Content Europe, for the first time in Lisbon, Portugal, in late April.…
Kanal D International, the global business arm of Kanal D and part of the Demirören Media Group, begins the year with a strong presence at the season’s first European markets: MIP London, Series Mania, and…
CTV in Europe has long occupied a liminal space in media planning, viewed as too significant to ignore yet often treated as a secondary, experimental channel sitting somewhere between traditional television and digital video. In…
Driven by rising rights costs and the fragmentation of global audiences, the sports broadcasting industry underwent a structural reorganization in 2025. The sector shifted focus from incremental updates to a fundamental alteration of live delivery…
For years, branded content was synonymous with forced insertions, obvious placements, and products pushed into stories that didn’t need them. Today, that model seems definitively exhausted. Instead, the global audiovisual industry (from Hollywood to Europe,…
The 31st edition of Rendez-Vous with French Cinema, the annual showcase organized by Film at Lincoln Center in collaboration with Unifrance, is set to return from March 5 to 15, 2026. This year’s selection features…
The global rise of the «Micro Drama»—scripted drama shorts often viewed on mobile devices—is creating a new category of «super consumers» who watch significantly more video content than the average population, according to a new…
The subscription business is entering a new phase. Although video on demand remains a key driver, growth no longer depends solely on adding platforms, but on integrating them. In this scenario, bundling (offering a range…
The European FAST market has officially exited its experimental phase and entered a period of rapid maturation and correction. According to the latest whitepaper released by the FAST4EU consortium and 3Vision, Europe is projected to…
Seriella, the Brazilian production house specialized in high-end biblical content, is launching a major sales push across the European market circuit. The company has confirmed it will present its latest slate of scripted epics in…
The media industry spent the last decade chasing mass reach, bigger audiences, louder storytelling, blockbuster budgets. Yet the content actually winning inside today’s feeds tells a different story. Scale is no longer built by speaking…
ICEX (Spain) is steadfast in its efforts to promote the internationalization of the national audiovisual industry, showcasing the potential of its delegation at MIP London and Content Europe. Under the Audiovisual From Spain umbrella, the…
Ecuavisa Studios arrives at MIP London and Content Europe 2026 with a concrete case study for international investors: the granting of Ecuador’s first Audiovisual Investment Certificate (CIA). The tax incentive was awarded to the film…
As streaming options expand and traditional media companies navigate a fragmented content ecosystem, many are rethinking how and where to distribute their libraries. For VA Media CEO Mark Ashbridge, platforms like YouTube are not just…
Something Special is set to advance to the company’s next level in 2026 going into their 7th year of business with several diverse dynamic Korean formats, ranging from physical competition to heartfelt music reality to…
As the industry gathers to discuss content trends and distribution strategies for the year ahead, accessibility services have emerged as a critical growth sector. David Israel, VP of Business Development & Operations at eSteno, outlined…
Paramount Global announced a new leadership structure for its Global Content Distribution and International Networks division, consolidating key businesses to strengthen monetization across platforms and accelerate its global distribution strategy. The reorganization brings together Global…
After a dynamic start to the year showcasing its technology at Content Americas in Miami, OTTera Inc. has arrived at MIP London and Content Europe with a clear mission: to solve one of the digital…
GMA Network’s Worldwide Division continues to consolidate its position as a major exporter of Filipino content, with steady growth across multiple territories and platforms. In an interview with Prensario International, Rochella Ann Salvador, Assistant Vice…
NHK Enterprises (NEP), the international distribution arm of Japan’s public broadcaster NHK, arrives at European market events with a diverse content slate that highlights high-concept science fiction, historical drama, and factual programming exploring Japan’s anime…
In February, co-founders Claudia Scott-Hansen and Rob Bencal will be logging serious frequent-flyer miles across Kidscreen Summit, MIP London, and New York Toy Fair, meeting buyers, partners, and platforms across content, consumer products, and digital…
Universal Cinergia Dubbing arrives with a reinforced commitment to the European market, attending MIP London, Series Mania Forum and Content Europe. Led by founders Liliam Hernandez and Gema Lopez, the privately owned company continues to…
In just four years, Paris-based technology provider SoFast has established itself as a formidable engine in the global streaming economy, creating over 780 FAST channels and securing distribution across more than 220 platforms worldwide. The…
