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WDBW Mipcom 2024 – Special Report: Whay do buyers want?

For Mipcom 2024 edition, Prensario International reviews a special survey made by RX into the mindset of top content buyers and commissioners, and what they are looking at the international markets.

MARION CAMUS-OBERDORFER
ORF Enterprise (Austria):Director Acquisitions & Distribution Investment.

A)  Editorial strategy: We serve as preferred partner for broadcasters and platforms around the world as a one-stop-shop for high quality content offering a wide range of titles from all genres: Blue-Chip Documentaries, TV-Series and Movies, Children’s Programs, Music as well as scripted and non-scripted Formats. We are looking for projects that are in an early stage of production, with a strong international focus and matching withour preferred genres.

B) Projects/Programs search: Blue Chip 4K Documentaries. Nature & Wildlife. Sustainability & Conservation. History & Ancient. History Science. Reenacted History and Archive Driven Content.

C) Acquisition territory: North America, Europe.

MINEAU MARJOLAINE
Radio Canada (Canada): Head of Documentary News

a) Editorial strategy: CBC/Radio-Canada is Canada’s national public broadcaster. RDI is Radio-Canada’s News specialty channel. Mainly looking for Current Affairs documentaries in a TV-hour format.

b) Projects/Programs search: Pre-buys and ready-to-broadcast documentaries.

c) Acquisition territory: North America, Europe, Oceania.

MORANA BOTICA
Croatian Radiotelevision (Croatia): Editor Children Acquisitions

a) Editorial strategy: Public TV, Broadcaster.

b) Projects/Programs search: Kids programs, target audience 2-10 years.

c) Acquisition territory: North America, Europe.

AHMED FOUADELDIN IBRAHIM
D-Media (Egypt): Acquisition Executive

a) Editorial strategy: Our strategy is to find informative and entertaining content.

b) Projects/Programs search: Feature documentary films, documentary series on various topics; Wildlife, Science, Current Affairs, Modern History, Sports, and Futuristic Inventions.

c) Acquisition territory: Asia, Africa, Latin America, North America, Europe, Middle East, Oceania.

VICKY SCHRODERUS
YLE (Finland): Senior Executive in Charge of International Co-Productions and Acquisitions

a) Editorial strategy: YLE is the number one multi-platform destination for Finnish kids, measured by ratings and audience satisfaction. YLE transmits over 1,300 hours of children’s programming annually, targeting kids aged 2-12. Pikku Kakkonen focuses on 3-6-year-olds, while Galaxi targets 7-12-year-olds. Swedish-speaking channel YLE Fem airs Buu-Klubben, focusing on kids aged 3-7.

b) Projects/Programs search: Looking for content that entertains, brings laughter, and awakens curiosity. Priorities for preschoolers are diversity, bravery, and enhancing emotional/social skills. For school-age kids, we seek themes like mental health, poverty, loneliness, and bullying.

c) Acquisition territory: Europe, Asia, North America.

ELISABETH HAGSTEDT
Histoire TV (France): Head of Content

a) Editorial strategy: A channel dedicated to history in the broadest sense, covering everything from ancient civilizations to modern wars, geopolitics, arts, and culture, mainly through documentaries but also some fiction.

b) Projects/Programs search: We look for original, momentous, and sharp content proving that history is exciting and significant for us all. We acquire, prebuy, and coproduce internationally.

c) Acquisition territory: Asia, North America, Europe.

DIRK NEUHOFF
NDR (Germany): Head of Documentaries

a) Editorial strategy: NDR is a German public TV broadcaster, part of the ARD network. It is known for drama documentaries and factual programming on history, politics, social issues, and current affairs.

b) Projects/Programs search: Political and investigative stories, docudramas, and documentaries covering exclusive, untold stories. Examples include «Snowden’s Great Escape,» «Net Wars,» and «Putin’s Games.»

c) Acquisition territory: Asia, Africa, North America, Europe, Middle East.

BENITA RATH
RTL Deutschland (Germany): Head of Development

a) Editorial strategy: RTL Deutschland, with Gruner + Jahr, is Germany’s leading entertainment company. It operates across various media platforms including TV, streaming, radio, and podcasts, and runs the largest streaming platform, RTL+, with over 2.4 million subscribers.

b) Projects/Programs search: Unique, scalable, non-scripted primetime formats adaptable for the German market.

c) Acquisition territory: Europe, Asia, North America, Latin America, Oceania.

DERMOT HORAN
RTE (Ireland): Director of Acquisitions and Co-Productions

a) Editorial strategy: A mainstream public broadcaster with the largest audience share in Ireland. Specializes in commissioning and co-producing Irish content across key genres.

b) Projects/Programs search: Standout drama series, feature films, comedies, natural history, documentaries, and kids’ content.

c) Acquisition territory: Europe.

RON HERMELIN
HOT (Israel): Director of Content Channels, Business Development

a) Editorial strategy: Focus on FAST TV, with a revenue-sharing model.

b) Projects/Programs search: All genres of programming.

c) Acquisition territory: Asia, Middle East.

MASSIMO BRUNO
De Agostini Editore (Italy): Director Theme Channels

a) Editorial strategy: A multiplatform network specializing in kids’ content for Italian audiences, aiming to deliver a unique experience.

b) Projects/Programs search: IP-driven content with a focus on animation and live-action for kids, looking for international co-production partners to build a tailor-made success.

c) Acquisition territory: Europe.

ANNALISA LIBERI
RAI (Italy): Head of Acquisitions Rai Kids
a) Editorial strategy: Rai Ragazzi offers top-quality content for children through two free-to-air channels, Rai Yoyo and Rai Gulp, as well as the Rai VOD platform.

b) Projects/Programs search: Animation, kids’ drama, and formats with strong storytelling that stimulate curiosity, emotional intelligence, and social skills.

c) Acquisition territory: Europe.

MASA OMIYA
Trans World Associates (Japan): President, Buyer Domestic, Marketing
a) Editorial strategy: We acquire high-quality TV movies, mini-series, documentaries, feature films, and animations for the Japanese market across various platforms.

b) Projects/Programs search: Looking for completed programs or those in the final stages of production.

c) Acquisition territory: Asia, North America.

DOYOUNG OH
Plus Media Partner (Korea): Acquisition Director
a) Editorial strategy: Distributes overseas TV programs to broadcasters in South Korea.

b) Projects/Programs search: Documentaries and factual programs on a wide variety of topics including history, lifestyle, wildlife, science, and technology.

c) Acquisition territory: Asia.

JUNITA BUDVYTIENE
LRT (Lithuania): Head of Acquisitions

a) Editorial strategy: LRT is a public broadcaster, airing foreign content on its channels LRT TV and LRT PLIUS.

b) Projects/Programs search: Drama and documentaries for family audiences. Priorities include daily series and prime-time thrillers.

c) Acquisition territory: Europe.

NISA SITTASRIVONG
True Visions Group (Thailand): Associated Acquisitions Director

a) Editorial strategy: Seeking content that entertains and delivers value and morals to society.

b) Projects/Programs search: Series offering breakthrough knowledge with relatable and enjoyable content.

c) Acquisition territory: Asia, North America, Europe.

KAJA WOLFFERS
Amazon Prime Video (Netherlands): Head of Content and Programming

a) Editorial strategy: Streaming platform.

b) Projects/Programs search: Broad entertainment and scripted content.

c) Acquisition territory: Europe.

MILA MAYI
CORPORACION RTVE (Spain):Acquisition director.

a) Editorial strategy: We are the Spanish public television and we look for quality content.

b) Projects/Programs search: Fiction series, feature films, animation, live action for children, documentaries.

c) Acquisition territory: Europe.

CHUAN CHIN CHANG
Tempo International Mass Media (Taiwan): EVP Acquisitions

a) Editorial strategy: Curates content for the Taiwanese market across various platforms.

b) Projects/Programs search: Movies with familiar talent, fast-paced drama, animation for kids, and educational documentaries.

c) Acquisition territory: Asia, North America, Europe.