The Brazilian TV channel is turning into its 10th year anniversary next month, with the greatest and most qualified collection of documentaries, a strategy for leveraging streaming and innovation in the educational sector.
Over the course of the last decade,Curta! has been dedicated to the research, production, and distribution of audiovisual content inside and outside Brazil and offers a diversified and successful portfolio of brands.
This independent linear documentary channel (films and series) dedicated to arts, culture, and humanities, has more than 11 million subscribers on Pay TV and 2 million frequent Brazilian viewers. Curta! On – Documentaries Club is abrand-new streaming service focused on the genre with diverse themes and origins, and it is available via Claro TV+, Amazon Prime Video, PlayHub, and curtaon.com.br. The company also has a second VOD platform, Tamanduá TV.
The projectCurta! Education is the group’s newest venture, is an innovative platform that unites education and entertainment, offering pedagogical resources associated with the company’s audiovisual collection with a model of collective subscriptions for all levels of educational institutions.
The curatorship of Curta! channel led by Bibiana de Sá, programming director, enriches the programming and the Group’s collection with the research of contents in the themes of music, cinema, dance, theater, visual arts, history, philosophy, literature, psychology, politics, and society. The richness of its programming is due mainly to the investment in original Brazilian productions and the acquisition of quality international content.
‘For the next month,Curta! Groupis preparing a specially curated programming grid with the best of the ten years and a Festival & Award to celebrate the achievements of the promotion policies for the production and diffusion of Brazilian programs, the more than 230 original productions and its collection of more than 36,000 minutes of programming among national and international documentaries licensed to the company’, concluded de Sá.
