After a dynamic start to the year showcasing its technology at Content Americas in Miami, OTTera Inc. has arrived at MIP London and Content Europe with a clear mission: to solve one of the digital…
GMA Network’s Worldwide Division continues to consolidate its position as a major exporter of Filipino content, with steady growth across multiple territories and platforms. In an interview with Prensario International, Rochella Ann Salvador, Assistant Vice…
NHK Enterprises (NEP), the international distribution arm of Japan’s public broadcaster NHK, arrives at European market events with a diverse content slate that highlights high-concept science fiction, historical drama, and factual programming exploring Japan’s anime…
In February, co-founders Claudia Scott-Hansen and Rob Bencal will be logging serious frequent-flyer miles across Kidscreen Summit, MIP London, and New York Toy Fair, meeting buyers, partners, and platforms across content, consumer products, and digital…
Universal Cinergia Dubbing arrives with a reinforced commitment to the European market, attending MIP London, Series Mania Forum and Content Europe. Led by founders Liliam Hernandez and Gema Lopez, the privately owned company continues to…
In just four years, Paris-based technology provider SoFast has established itself as a formidable engine in the global streaming economy, creating over 780 FAST channels and securing distribution across more than 220 platforms worldwide. The…
Rai, Italy’s public broadcaster, maintains a robust international presence through its commercial subsidiary, Rai Com, which plays a key role in connecting Italians living abroad with their homeland. Operating in 174 countries across five continents and…
TV Azteca has significantly restructured its international business model, moving away from a reliance solely on traditional content licensing to a diversified revenue mix. The Mexican broadcaster revealed that its FAST division now generates 20%…
Despite seeing explosive growth that has pushed the BBC iPlayer ahead of major global competitors in the UK market, the corporation does not have a specific target for transitioning audiences from linear television to streaming,…
ZDF Studios, the commercial subsidiary of one of Europe’s largest broadcasters, it’s currently exploring some actions into FAST segment, relying on a strategy of single-IP channels and pan-European partnerships. Linette Zaulich, Director Unscripted at the…
Since its launch in December 2022, ITVX has recorded a 35% increase in viewer hours, positioning itself as a central pillar in ITV’s digital transition. According to data released by the broadcaster, the platform reached…
France Télévisions has started 2026 with a series of historic audience records, cementing its position as the leading free streaming offer in France. According to data released by the pub-caster, the group has achieved unprecedented…
Warner Bros. Discovery (WBD) has aggressively expanded its streaming footprint across Europe, launching HBO Max in eight new major markets including Germany, Italy, and Austria. However, unlike the direct-to-consumer (D2C) waves of the past decade,…
RTL Group is successfully executing its digital transformation strategy, reporting a massive surge in both streaming and digital advertising revenues for the first nine months of 2025. As the European media giant navigates a challenging…
ViX, the streaming platform owned by TelevisaUnivision, has reached 10 million paid subscribers and now accounts for nearly a quarter of the company’s total revenue. The figures were disclosed by Rafael Urbina, the company’s President…
Xiaomi is preparing the expansion of Xiaomi TV+, its proprietary FAST service. With over 600 channels now available worldwide, the company is placing a specific strategic emphasis on the fragmented European market, prioritizing ‘deep localization’…
Yango Play is advancing its operational strategy for 2026 with a focus on consolidating its position as an AI-driven ‘super app’ for MENA region. The platform is integrating video streaming, music, and gaming into a…
In just two years, Barcelona-based startup Love TV Channels has carved out a significant footprint in the crowded FAST landscape. By betting on hyper-specialized, localized content rather than broad entertainment, the company has expanded its…
The London week in late February, that included a good MIPLondon from Sunday to Tuesday, and The London Screenings from Monday to Friday, has showed above all fresh energy and sure roads about linear +…
Next March, the city of Lille will once again become one of the main decision-making centers for the global television fiction business. Series Mania Forum confirmed the formal start of preparations for its 2026 edition,…
C21 Media has revealed new details about Content Europe, its brand-new international market that will hold its first edition from April 21st to 23rd, 2026, in Lisbon. Designed as a comprehensive meeting point for content…
Con una agenda cargada de reuniones y acuerdos en marcha, Quantico Films llegó a Content Americas 2026 con objetivos claros y señales concretas de crecimiento. La productora está a punto de cerrar dos coproducciones entre…
Onur Sozener, head of sales de Calinos Entertainment, compartió su visión en Content Americas sobre un mercado que, lejos de frenarse, atraviesa un proceso de ajuste y redefinición. “El mercado va bien, tenemos muchas reuniones…
Content Americas 2026 dejó un balance más que positivo para Canal 13 de Chile. Así lo expresó Rodrigo Correa, gerente comercial de contenido de la señal, quien destacó la fuerte visibilidad alcanzada por la compañía…
Durante Content Americas 2026, Silvana D’Angelo, CEO de Glowstar Media, compartió una lectura alentadora del mercado audiovisual. A diferencia de la edición anterior, marcada por recortes y cancelaciones, este año percibe un clima más dinámico,…
En el marco de Content Americas 2026, la Worldwide Audiovisual Women’s Association (WAWA) vivió una de sus jornadas más emotivas con la entrega del premio WAWA Woman of the Year, que por primera vez se…
En el panel Future Visions, realizado en el marco de Content Americas, Rafael Urbina, presidente de streaming y digital de TelevisaUnivision, trazó un panorama claro sobre hacia dónde se dirige ViX y el rol que…
En Content Americas 2026, el panel “Microprogramming: what comes after microdrama” dejó en claro que la programación vertical ya no es un fenómeno limitado a relatos breves y melodramáticos. El formato está creciendo en diversidad,…
Darío Turovelzky, nuevo CEO de Telefe de Argentina, destacó que a los tres meses de la compra del canal, ya trajeron aquí a CA el relanzamiento de Telefe Studios con el equipo de distribución presente.…
En el primer panel del día en CA, Sigfrid Grass de Televisión de Cataluya sobresalió como europeo hablando de dinero libremente. Dijo que antes había un promedio de costo de 300.000 euros por capítulo y…
