Actualmente existen una serie de mundos virtuales y experiencias que, en un mundo interconectado e ilimitado, se expandirán para que nuestras vidas digitales y físicas converjan por completo. Aunque muchos escucharon hablar del Metaverso hace…
Zee Entertainment Enterprise, el conglomerado de medios indu con sede en Mumbai, propiedad de Essel Group, se convirtió en un actor global en el campo de la televisión, prensa, internet, cine, y negocios relacionados con…
Con una estrategia 360 que incluye su potente OTT, TVN Media sigue priorizando a los contenidos como uno de sus bastiones en su oferta como empresa de medios. ‘Estamos haciendo algunas pruebas en nuestro entorno…
Daniel de Simone, es Director de Contenido y Canales de TV de Millicom | TIGO, que se encuentra en el operador fijo-móvil regional desde enero de 2010. En nuestro último reportaje, el director nos comentó…
Como una de las principales plataformas de streaming que se desprende una telco en Argentina, Flow es una de las platafromas que más sigue creciendo, la cual también tiene operaciones conjuntas en Uruguay. El servicio…
OTT y la TV Paga continúan su participación en América Latina. Con varios players de la TV produciendo para grandes streamers, pareciera que el digital sigue ganando territorios en una región que históricamente dominaba la…
Las plataformas AVOD/FAST avanzan, pero todos los medios tienen vueltas de tuerca El mercado de contenidos siempre está en movimiento. Seguido surgen vueltas de tuerca frente a lo que se viene viendo y se generan…
La productora con sede en Argentina, especializada en contenidos de entretenimiento, crea y desarrolla formatos de Cine, TV y nuevos medios, desde la idea original hasta la posproducción, pasando por la producción musical, animación, estudio…
Con la presencia de clientes, directivos de la empresa y talento, se ofreció un adelanto de la oferta de contenidos que tendrán History, H2, Lifetime y A&E. Reinventarse y adaptarse a las nuevas tendencias de…
El canal de las mejores producciones turcas está ya disponible a todos los suscriptores de Telecentro a través del canal 420. Patrick Rivet, CEO Thema, dijo: ‘Es un gran logro que a través de esta…
Special Report Content consumption is constantly changing. But that change can sometimes mean going back to basics. In this report, Prensario analyzes the new consumer trend: FAST channels, what they are and what new opportunities…
After the outbreak of COVID-19 in 2020 and its impact on some sectors of advertising such as offline, the sector has begun to show notable improvements. Zenith expects that by the end of this year…
Seven Network has been investing heavily in its different business units: traditional and digital TV, with 7Plus as its vertical focused on streaming. The company recently announced a major multi-year deal with NBCUniversal (NBCU), which…
Run under MRTV’s Multiplex Playouts System based in Yangon, Myanmar, Channel K is a Burmese digital Free-to-Air TV channel launched in 2019 by KMA Telemedia Holding Limited. It operates under an advertising business model to…
Operating under the umbrella of the Minister of Broadcasting in New Zealand, TVNZ is the state broadcaster that has various FTA channels, as well as dedicated VOD services with an Ad-supported business strategy. The company…
Run under MRTV’s Multiplex Playouts System based in Yangon, Myanmar, Channel K is a Burmese digital Free-to-Air TV channel launched in 2019 by KMA Telemedia Holding Limited. It operates under an advertising business model to…
Being a benchmark for audiences and the media industry in the Philippines, August Media produces and distributes content with a great focus on careful content designed for the entertainment of the whole family. Today, the…
NominChinbat, Minister of Culture of Mongolia, andthe Mongolian National Film Council (MNFC) have welcomed several major production studios the last month on the country’s capital Ulaanbaatar. The visitors, key executives from Warner Bros.Discovery, Paramountand Netflix,…
ABS-CBN (Philipines) presents at ATF 2022 market its season novelties. The company highlights the family dramas Flower of Evil and A Family Affair, the light romance 2 Good 2 Be True and the fantasy adventure…
Since 2020, Centauro has seen a very active demand for dubbing Asian content into English, Spanish, and Portuguese. The company has increased its pool of Korean, Chinese, Japanese, and Filipino translators and adapters to ensure…
The production and distribution unit of Saran Media Group participates at ATF 2022, where they present its novelties in drama genre to the Asian market. The company began distributing Turkish content with the series A…
RTVE highlights the new season of The Hunt at ATF 2022, whose new story moves to the town of Huelva in Spain After two highly successful seasons in Spain and other markets, RTVE is attending…
Nippon TV continues with news in the international market. At the recent edition of TIFFCOM, the company announced the third season of the adaptation of Old Enough! by Mediacorp (Singapore). Nippon TV‘s hugely popular reality…
Being one of the largest streaming platforms in the world, with nearly 6 billion hours spent on its service, and 106.2 million subscribers (last year), iQIYI it’s facing emerging markets in Asia. One of its destinations…
WeTV, Tencent’s subsidiary streaming platform in China, continues to conquer more countries in Southeast Asia, with more content and adding more distribution players to reach more users. Since 2018, the Asian giant considered facing the…
Streaming giant ZEE5 remains steadfast in its commitment to bring the best local content across India as well as to the Southeast Asian diaspora around the world. The service, owned by ZEE TV, launched in 2018 in more…
As we will see throughout various reports in this edition of ATF 2022, the APAC audiovisual market is in full expansion and on what many highlights as the ‘second phase of the audiovisual expansion’, driven…
The Wit showcased last MIPCOM Cannes edition a new special report with the main trends in formats and scripted, where dating shows with a twist, talent battles and content to feel good, among others, stand…
Asian TV Forum (ATF) 2022 returns to a full in-person event for the first time after the pandemic. And it takes place in a good moment to invest in Asian Pacific region (APAC). This…
Asia Pacific’s SVOD market is forecast to grow 19% in 2022 to US$24.6 bill, with China contributing 51%. But, how is this market constituted that, despite being part of a unified region, has so much…
