The keynote “Anime in APAC: Identifying Audience and Market GAP,” presented by Motohiko Ara from Ampere Analysis at ATF 2025, made it clear that the Asia-Pacific region not only has one of the most active…
Stories originating in Asia are redefining global children’s entertainment. During the keynote address “From East to Everywhere,” Adam Woodgate, VP of Research Solutions at The Insights Family, described how franchises such as Demon Slayer, K-Pop…
The “Huace Group Content Showcase – 2026 Grand Reveal” was one of the most eagerly awaited moments of ATF 2025. The company, with more than three decades of experience and a presence in 200 territories,…
The panel “K-Content in the Age of AI: The Next Chapter” at ATF 2025 showed the extent to which artificial intelligence has gone from being a promise to becoming a real driver of production in…
At this year’s Asia TV Forum & Market, one of the consistently crowded corners of the show floor was the Taiwan Pavilion. Under the coordination of the Taiwan Creative Content Agency (TAICCA), the space presented…
In a market where the conversation seems to be monopolized by AI and automation, Scott McCarthy, VP of Global Brand Protection at DreamWorks Animation, reminded attendees at ATF 2025 that the real risk for brands…
The Korea Creative Content Agency (KOCCA) once again brought the industry together at its traditional “K-Content & Format Showcase”, a showcase that confirms why South Korea continues to set the global pace in drama, entertainment…
The panel “Trending Asia – Coproductions Unlocked”, presented by Anqi Liu, senior analyst at Glance, made one trend clear: Asia is no longer just a strategic partner, but a central driver of international production. Liu…
Asian TV Forum & Market 2025 officially opened its market with a ceremony that combined celebration, recognition of the creative community and a strong emphasis on the future of Asian entertainment. The opening featured Tan…
Japan arrives at ATF 2025 with a renewed and expanded presence, reinforcing its commitment to international partnerships and premium content exports. The Broadcast Program Export Association of Japan (BEAJ) will jointly operate the Japan Pavilion…
GDH 559 once again demonstrated why it is one of Asia’s most influential production companies. In an interview with Prensario, Jina Osothsilp stated that its international recognition is not the result of a formula, but…
At ATF 2025, Southeast Asia’s leading mobile operators agreed that the next wave of growth will no longer come from connectivity, but from digital services and content. In the panel discussion “Telcos chasing non-connectivity revenues…
During the panel discussion “From China to the World: the International Expansion of Tencent Video”, Jeff Han, VP of the platform, reviewed the evolution of Tencent Video and its global plans. Since its launch in…
As part of ATF 2025, Kevin Vaz, CEO of JioStar, presented a compelling picture of the present and future of entertainment in India, a market that (as he emphasized) is not only diverse, but “a…
At ATF 2025, Tony Gunnarsson, senior principal analyst at Omdia, offered a stark and realistic view of the future of the audiovisual business. His diagnosis breaks with the narrative of an imminent “total revolution” in…
Taiwan arrives at ATF 2025 with one of its strongest showcases to date. From December 2–5, the Taiwan Creative Content Agency (TAICCA) leads a powerful delegation of 92 companies presenting more than 260 titles, reaffirming…
GMA Network President & Chief Executive Officer Gilberto R. Duavit, Jr. was honored with the prestigious Management Excellence Award by BizNews Asia, during the publication’s 24th anniversary celebration held on 25 November in Makati. The…
En el marco de MIP Cancún, David Israel, VP Business Development & Operations de eSteno, compartió la visión estratégica de la compañía y el impulso que está tomando el mercado de la accesibilidad en la industria audiovisual. ‘Mip…
En el marco de MIP Cancun, Edgar Jaramillo presentó oficialmente Break Da Rules (BDR), el nuevo estudio independiente que irrumpe en EE.UU. y Latinoamérica con la misión de producir contenidos disruptivos, ágiles y culturalmente potentes.…
Coincidiendo con el 36º aniversario de la revista PRODU, la novena edición de Premios PRODU reunió a líderes, talentos y visionarios en una noche cargada de emoción, reflexión y reconocimiento. Uno de los momentos más…
En un auditorio colmado, Globo presentó el showcase “Globo Returns to Classic Melodrama”, una invitación a redescubrir el género que marcó a generaciones y que hoy vuelve con fuerza renovada para conquistar a toda Latinoamérica.…
En el keynote “Warner Bros. Discovery: A Dream Destination”, Nicolás Mc Cormack, VP de Ad Sales para México y Centroamérica de WBD, planteó una premisa central: en un ecosistema audiovisual en plena transformación, las marcas…
El panel “Powering Latam’s Micro Drama Boom” se consolidó como uno de los encuentros más concurridos y reveladores del tercer día de MipCancun. La sesión, protagonizada por el equipo de Crazy Maple Studios, profundizó en…
El panel “Beyond Advertising: Emotions as a Business Tool”, realizado en MIPCancun 2025, reunió a Ana María Olabunaga, estratega de emociones colectivas; Maca Rotter, CEO de La Panadería Licensing & Marketing; y Claudia Contreras, CMO…
El “K-Content Showcase”, presentado por KOCCA México, reunió a ejecutivos, compradores y socios estratégicos para ofrecer un panorama curado del contenido coreano que hoy impulsa nuevas oportunidades de colaboración con América Latina. El encuentro, acompañado…
IBEROFIC tuvo una presencia histórica en MIP Cancún 2025 al inaugurar por primera vez su propio stand en un mercado internacional, en colaboración con Spain Film Commission. El corte de listón, encabezado por María Pérez-Bellière…
La industria japonesa vuelve a apostar fuerte por las adaptaciones live-action con el nuevo “TBS × U-NEXT × THE SEVEN Global Project”, que llevará a la pantalla el popular manga Chiruran: Shinsengumi Requiem. La serie,…
En el marco de MIPCancun 2025, Juan Pablo Robert, Head of Media Companies para Hispanoamérica en YouTube, presentó “Winds of Change and the Forces Driving This Shift”, una reflexión profunda sobre cómo la industria del…
El panel “Micro drama, mega audience” en MipCancun 2025, moderado por Elizabeth Bowen-Tombari (TV Latina), reunió a Shawn Wu (FlareFlow, Col Group), Can Okan (Inter Medya) y JC Acosta (The Mediapro Studio US & Canada)…
En MIPCancun 2025, el panel “Brand Showcase: When the Brand Becomes Narrative” reunió a figuras clave del branded entertainment para explorar cómo las marcas están evolucionando hacia la creación de historias propias. Moderados por Richard…
