Con una estrategia 360 que incluye su potente OTT, TVN Media sigue priorizando a los contenidos como uno de sus bastiones en su oferta como empresa de medios. ‘Estamos haciendo algunas pruebas en nuestro entorno… TVN Media: Foco en su OTT y en contenido de entretenimiento
Daniel de Simone, es Director de Contenido y Canales de TV de Millicom | TIGO, que se encuentra en el operador fijo-móvil regional desde enero de 2010. En nuestro último reportaje, el director nos comentó… ONETV: La propuesta de Tigo a las necesidades de entretenimiento
Como una de las principales plataformas de streaming que se desprende una telco en Argentina, Flow es una de las platafromas que más sigue creciendo, la cual también tiene operaciones conjuntas en Uruguay. El servicio… Flow: Más contenido original y consolidación como agregador de OTTs
OTT y la TV Paga continúan su participación en América Latina. Con varios players de la TV produciendo para grandes streamers, pareciera que el digital sigue ganando territorios en una región que históricamente dominaba la… Mapa de medios: La TV sigue siendo relevante
Las plataformas AVOD/FAST avanzan, pero todos los medios tienen vueltas de tuerca El mercado de contenidos siempre está en movimiento. Seguido surgen vueltas de tuerca frente a lo que se viene viendo y se generan… América Latina: nuevos buyers, nuevos modelos de negocio
La productora con sede en Argentina, especializada en contenidos de entretenimiento, crea y desarrolla formatos de Cine, TV y nuevos medios, desde la idea original hasta la posproducción, pasando por la producción musical, animación, estudio… Smilehood promociona ‘Plim Plim’
Con la presencia de clientes, directivos de la empresa y talento, se ofreció un adelanto de la oferta de contenidos que tendrán History, H2, Lifetime y A&E. Reinventarse y adaptarse a las nuevas tendencias de… Adaptarse a tendencias y nuevas ofertas de contenidos
El canal de las mejores producciones turcas está ya disponible a todos los suscriptores de Telecentro a través del canal 420. Patrick Rivet, CEO Thema, dijo: ‘Es un gran logro que a través de esta… Kanal D Drama se incorpora a Telecentro en Argentina
Special Report Content consumption is constantly changing. But that change can sometimes mean going back to basics. In this report, Prensario analyzes the new consumer trend: FAST channels, what they are and what new opportunities… FAST/AVOD, back to basics?
After the outbreak of COVID-19 in 2020 and its impact on some sectors of advertising such as offline, the sector has begun to show notable improvements. Zenith expects that by the end of this year… India, Malaysia and Hong Kong lead the ad market in APAC
Seven Network has been investing heavily in its different business units: traditional and digital TV, with 7Plus as its vertical focused on streaming. The company recently announced a major multi-year deal with NBCUniversal (NBCU), which… Seven Media: Linear and digital in the axe of its content strategy
Run under MRTV’s Multiplex Playouts System based in Yangon, Myanmar, Channel K is a Burmese digital Free-to-Air TV channel launched in 2019 by KMA Telemedia Holding Limited. It operates under an advertising business model to… Channel K: Featuring educational and entertainment content in Myanmar
Operating under the umbrella of the Minister of Broadcasting in New Zealand, TVNZ is the state broadcaster that has various FTA channels, as well as dedicated VOD services with an Ad-supported business strategy. The company… TVNZ: Accelerating audience growth across its online product
Run under MRTV’s Multiplex Playouts System based in Yangon, Myanmar, Channel K is a Burmese digital Free-to-Air TV channel launched in 2019 by KMA Telemedia Holding Limited. It operates under an advertising business model to… Channel K: Featuring educational and entertainment content in Myanmar
Being a benchmark for audiences and the media industry in the Philippines, August Media produces and distributes content with a great focus on careful content designed for the entertainment of the whole family. Today, the… POP TV, an OTT with a friendly interface at affordable access
NominChinbat, Minister of Culture of Mongolia, andthe Mongolian National Film Council (MNFC) have welcomed several major production studios the last month on the country’s capital Ulaanbaatar. The visitors, key executives from Warner Bros.Discovery, Paramountand Netflix,… Mongolia welcomed US Major studios to promote its local industry and incentives
ABS-CBN (Philipines) presents at ATF 2022 market its season novelties. The company highlights the family dramas Flower of Evil and A Family Affair, the light romance 2 Good 2 Be True and the fantasy adventure… ABS-CBN: filipino series to the world
Since 2020, Centauro has seen a very active demand for dubbing Asian content into English, Spanish, and Portuguese. The company has increased its pool of Korean, Chinese, Japanese, and Filipino translators and adapters to ensure… Centauro, a full service localization studio
The production and distribution unit of Saran Media Group participates at ATF 2022, where they present its novelties in drama genre to the Asian market. The company began distributing Turkish content with the series A… Saran Studios: Asia on its international agenda
RTVE highlights the new season of The Hunt at ATF 2022, whose new story moves to the town of Huelva in Spain After two highly successful seasons in Spain and other markets, RTVE is attending… RTVE presents a new season of The Hunt
Nippon TV continues with news in the international market. At the recent edition of TIFFCOM, the company announced the third season of the adaptation of Old Enough! by Mediacorp (Singapore). Nippon TV‘s hugely popular reality… Nippon TV: Old Enough! Continues its success in Singapore
Being one of the largest streaming platforms in the world, with nearly 6 billion hours spent on its service, and 106.2 million subscribers (last year), iQIYI it’s facing emerging markets in Asia. One of its destinations… iQiyi wants to be mainstay driver of Malaysia’s content ecosystem
WeTV, Tencent’s subsidiary streaming platform in China, continues to conquer more countries in Southeast Asia, with more content and adding more distribution players to reach more users. Since 2018, the Asian giant considered facing the… WeTV: A significant growing in Southeast Asia
Streaming giant ZEE5 remains steadfast in its commitment to bring the best local content across India as well as to the Southeast Asian diaspora around the world. The service, owned by ZEE TV, launched in 2018 in more… ZEE5: More original content & ZEE International: Co-Productions in focus
As we will see throughout various reports in this edition of ATF 2022, the APAC audiovisual market is in full expansion and on what many highlights as the ‘second phase of the audiovisual expansion’, driven… The APAC market: turning challenges into opportunities
The Wit showcased last MIPCOM Cannes edition a new special report with the main trends in formats and scripted, where dating shows with a twist, talent battles and content to feel good, among others, stand… Trends to look: from iconic IPs to real stories and game shows with twist
Asian TV Forum (ATF) 2022 returns to a full in-person event for the first time after the pandemic. And it takes place in a good moment to invest in Asian Pacific region (APAC). This… ATF 2022: main questions & answersfor a successful market
Asia Pacific’s SVOD market is forecast to grow 19% in 2022 to US$24.6 bill, with China contributing 51%. But, how is this market constituted that, despite being part of a unified region, has so much… The OTT market in APAC, from atomization to massiveness
Nowadays in the world, the OTT platforms are moving focus from SVOD to AVOD, from subscribers to advertisement. What can we say about broadcasters at this new media scenario? Last Mipcom, at theFRAPA Formats Summit,… ATF 2022: to be a broadcaster at the new media game
Appearance of new digital players, the Asian market saw a new opportunity to strengthen its production capacity, and open up to new territories in the West thanks to production with a greater impact, as well… Digital boosts production and opens up new opportunities
