June Pack 2026
Sunny Side of the Doc 2026
Final day at Sunny Side 2026: co-production and global partnerships close La Rochelle chapter
The 37th edition of Sunny Side of the Doc closed an important chapter for the documentary sector yesterday. The industry is currently navigating profound financial and political challenges, which reflect broader systemic shifts within the global audiovisual landscape.
Sunny Side of the Doc 2026: budget shifts and co-pro rules dominate the day two
Yesterday, on the second day of the market, the event was centered on the evolving strategies of international buyers, the resilience of public broadcasting amid funding crises, and the urgent need for ethical frameworks regarding generative AI. As traditional financing models shift, the global documentary industry is actively redefining how stories are funded, produced, and distributed for a digital-first audience.
Sunny Side Of the Doc 2026: Global doc industry tackles shrinking budgets, China partnerships, and AI impact
Sunny Side of the Doc opened yesterday with close to 2,000 professionals from more than 60 countries and 120 documentary projects in La Rochelle. The market, a key meeting point for producers, distributors, channels, and institutions seeking to boost the business of documentary creation, opened its doors with the news that in 2027, it will move to Strasbourg – closing this chapter in the coastal city that has hosted it for over twenty years.
Sunny Side of the Doc 2026 opens with a call for global collaboration
The 37th edition of Sunny Side of the Doc opens its doors today in La Rochelle, marking a significant rebound for the international documentary and factual marketplace. Following a previously announced cancellation, the event reactivates today through a strategic restructuring and a strong industry mobilization. Running from June 22 to 24, this condensed three-day market is presented in partnership with Documentary Campus.
Annecy Festival 2026
MIFA/Annecy 2026, wrap up: more cross-media than ever
MIFA, the animation content market inside the Annecy Festival in France, finishes today with a good outcome: though the serious financing problems continue, the solutions are on road and taking speed. Collaborations, synergies, cross-media business as 360 as possible, the Digital First universe, are the new pillars to build above. MIFA 2026 figures? Quite the same but a bit up from last year: 7000 participants, including 350 buyers, 120 countries, 200 exhibitors. The Annecy Festival joined total 19.000 attendees.
MIFA/Annecy 2026: direct answers to main animation questions
How is MIFA this year? The animation content market inside the Annecy Festival in France, looks quite similar in volume than last year, but very healthy and with good energy. If the last editions most of the animation industry was with bad mood due to the serious financing problems, now many are decided to evolve, collaborate and to be fresh. There are some iconic players missing, or reductions in some booths, but there are also new players –especially tech, software and AI providers– and more international attendance, in particular from Asian territories. Animation business gets techie, collaborative and global
MIFA/Annecy 2026: collaborations at every step
MIFA, the content market inside the Annecy Festival in France, develops today its 2026 second full journey with clear trends everyone saw yesterday: collaborations everywhere, not only to surpass the current financing problems, but also to open or strengthen markets. Just watching the pictures of this daily, you see many alliances between public entities, private titans with digital first players, many public programs supporting animation production. Nobody can alone anymore. But also, there are here very interesting trendy opinions of big players and buyers, to take in mind…
MIFA/Annecy 2025: the animation industry, beyond the trends
The MIFA market, part of the Annecy Festival at Annecy France, is widely considered the head meeting point for the global animation content business, running from today Tuesday 23rd to Friday 26th. This year edition is particularly significant, because the sector navigates a deep transformation driven by streaming trends, financing challenges, artificial intelligence and new digital tools. Where can the animation industry find new business value, opportunities?
NEM Dubrovnik 2026
NEM Dubrovnik 2026: business, AI, and new distribution channels
NEM Dubrovnik 2026 reaches its final day with an overwhelmingly positive outcome and a shared sentiment among buyers, distributors, and executives surveyed by Prensario: this year’s edition exceeded expectations. With packed schedules, back-to-back meetings, and deals sealed, several participants agreed to describe the event as a sort of “mini-MIPTV”, more compact, yet highly effective for generating business in the region.
NEM Dubrovnik 2026: local content, business, and hybrid models
NEM Dubrovnik 2026 begins its third day today, with the halls of the Dubrovnik Palace Hotel filled with executives, back-to-back meetings, and a general sense of optimism. Schedules are packed and the business atmosphere remains very lively, while the program continues with panels, keynote speeches, screenings, showcases, and numerous networking opportunities.
NEM Dubrovnik 2026: partnerships, local content, and consolidation
NEM Dubrovnik 2026 kicks off its second day today, cementing its position as one of the leading events in the CEE audiovisual industry. With over 1000 executives, 200 buyers, and a hundred exhibitors gathered at the Dubrovnik Palace Hotel, the market organized by Mediavision once again became a key platform for discussing the present and future of the European audiovisual business. Discussions on the opening day highlighted an industry focused on three major themes: new partnerships between broadcasters and global platforms, investment in original European content, and corporate consolidation.
NEM Dubrovnik 2026: European Audiovisual Observatory, Globo, and Fremantle shape the opening agenda
NEM Dubrovnik officially opens its 2026 edition today under the slogan “TV with a market view,” establishing a new milestone as the central meeting point for the audiovisual industry in CEE. This year, the market experiences an unprecedented fifty percent increase in its overall capacity compared to the previous cycle, gathering more than 300 companies, over 200 regional buyers, and around 150 exhibitors.