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Nicolae Arnizaut, licensing manager

Encripta to feature thrillers and family dramas

Elite Films, the distribution division of Encripta, is focusing its ATF 2025 slate on a selection of high-stakes thrillers and emotionally driven family dramas, all of which are available for licensing across Latin America. The… 

Kanal D: Strong slate of premieres at ATF 2025

Kanal D International, the global business arm of Turkey’s Kanal D, presents new titles at ATF 2025. The company, which operates under the Demirören Media Group, brings a portfolio ranging from premium dramas to daily… 

Rai Com: Italian content around the world

Rai Italia, through its subsidiary Rai Com, maintains a significant presence in international broadcasting, connecting Italians worldwide with their homeland. With a reach spanning 174 countries across five continents and over 200 partnerships, Rai Com… 

TV Azteca: international business, fully integrated

Azteca arrives at ATF 2025 showcasing a comprehensive international strategy that extends beyond traditional content licensing. The Mexican broadcaster reported a significant diversification in its revenue sources: 40% of international income is derived from content… 

Laughter without borders: Just For Laughs conquers APAC

Just For Laughs Distribution arrives at ATF Singapore 2025 with its signature mission to ‘spread laughter around the world’. The company continues to expand its international reach with a vibrant mix of non-verbal comedy, stand-up… 

RCN Studios: strategic push into Asia

RCN Studios is highlighting its ongoing transformation and enhanced market position as it prepares for a significant presence at ATF in Singapore. The company, traditionally known as a broadcaster, is now emphasizing its expanded role… 

Orasi Media debuts AI-powered production hub

Launched at MIPCOM past October, Orasi Media’s «The Production Hub» streamlines production workflows and is now seeking opportunities at ATF 2025 ahead of the January Miami market circuit next year. The platform is built for… 

ORF: powerful stories and documentaries at ATF 2025

ORF-Enterprise continues to expand its international reach with a proposal that combines innovation, quality and diversity. Under the direction of Armin Luttenberger, the company boasts a solid catalogue that grows year after year with productions… 

NHK Enterprises brings sci-fi, drama, and anime

NHK Enterprises (NEP), the international distribution arm of Japan’s public broadcaster NHK, arrives at ATF 2025 with a diverse content slate that highlights high-concept science fiction, historical drama, and factual programming exploring Japan’s anime industry.… 

WBD expands HBO Max footprint into new Asian markets

Past October, Warner Bros. Discovery launched its streaming service, HBO Max, in 15 new markets in Asia, including Bangladesh, Cambodia, Macau, Pakistan, Sri Lanka, and Ukraine. Subscribers in these territories now have access to content… 

Nippon TV accelerates global shift

Recently, Nippon TV provided updates on its global expansion strategy. During TIFFCOM last week, the company commented that it is seeking to align with the Japanese media industry’s shift toward international content development by operating… 

GMA Network maintains dominance in Philippine media landscape

GMA Network, marking its 75th anniversary, has reaffirmed its leadership across Philippine media platforms—television, radio, and digital—while simultaneously establishing itself as a key global digital content provider. The company attributes its success to a consistent… 

Amazon India: a dual-platform strategy

Amazon is employing a dual-platform strategy in India, operating Prime Video and Amazon MX Player in parallel to compete in a complex local streaming market landscape. The approach, detailed by the company at the APOS… 

YouTube vs TikTok: the battle for global audiences

The war for digital video dominance has entered a new phase. For years, YouTube was the undisputed giant of online audiovisual content, accounting for nearly half of all global interactions. However, the rise of short… 

Vertical microseries: from Asia to global mainstream

What began as a digital curiosity in China and South Korea is now establishing itself as one of the biggest transformations in the global audiovisual industry. Micro-dramas (short stories, lasting one to three minutes per… 

FAST & AVOD: APAC leads business extension

The global audiovisual ecosystem is undergoing a profound transformation driven by the rise of advertising-supported streaming (AVOD) and Free Ad-Supported Streaming Television (FAST) channels. What began as a free alternative to the subscription model has… 

CTV: automated aggregation, especially in Asia

The connected television (CTV) ecosystem is undergoing unprecedented expansion on a global scale. Driven by the growth of Smart TVs, the consolidation of AVOD and FAST models, and advertisers’ shift towards premium digital environments, CTV…