The media industry spent the last decade chasing mass reach, bigger audiences, louder storytelling, blockbuster budgets. Yet the content actually winning inside today’s feeds tells a different story. Scale is no longer built by speaking…
ICEX (Spain) is steadfast in its efforts to promote the internationalization of the national audiovisual industry, showcasing the potential of its delegation at MIP London and Content Europe. Under the Audiovisual From Spain umbrella, the…
Ecuavisa Studios arrives at MIP London and Content Europe 2026 with a concrete case study for international investors: the granting of Ecuador’s first Audiovisual Investment Certificate (CIA). The tax incentive was awarded to the film…
As streaming options expand and traditional media companies navigate a fragmented content ecosystem, many are rethinking how and where to distribute their libraries. For VA Media CEO Mark Ashbridge, platforms like YouTube are not just…
Something Special is set to advance to the company’s next level in 2026 going into their 7th year of business with several diverse dynamic Korean formats, ranging from physical competition to heartfelt music reality to…
As the industry gathers to discuss content trends and distribution strategies for the year ahead, accessibility services have emerged as a critical growth sector. David Israel, VP of Business Development & Operations at eSteno, outlined…
Paramount Global announced a new leadership structure for its Global Content Distribution and International Networks division, consolidating key businesses to strengthen monetization across platforms and accelerate its global distribution strategy. The reorganization brings together Global…
After a dynamic start to the year showcasing its technology at Content Americas in Miami, OTTera Inc. has arrived at MIP London and Content Europe with a clear mission: to solve one of the digital…
GMA Network’s Worldwide Division continues to consolidate its position as a major exporter of Filipino content, with steady growth across multiple territories and platforms. In an interview with Prensario International, Rochella Ann Salvador, Assistant Vice…
NHK Enterprises (NEP), the international distribution arm of Japan’s public broadcaster NHK, arrives at European market events with a diverse content slate that highlights high-concept science fiction, historical drama, and factual programming exploring Japan’s anime…
In February, co-founders Claudia Scott-Hansen and Rob Bencal will be logging serious frequent-flyer miles across Kidscreen Summit, MIP London, and New York Toy Fair, meeting buyers, partners, and platforms across content, consumer products, and digital…
Universal Cinergia Dubbing arrives with a reinforced commitment to the European market, attending MIP London, Series Mania Forum and Content Europe. Led by founders Liliam Hernandez and Gema Lopez, the privately owned company continues to…
In just four years, Paris-based technology provider SoFast has established itself as a formidable engine in the global streaming economy, creating over 780 FAST channels and securing distribution across more than 220 platforms worldwide. The…
Rai, Italy’s public broadcaster, maintains a robust international presence through its commercial subsidiary, Rai Com, which plays a key role in connecting Italians living abroad with their homeland. Operating in 174 countries across five continents and…
TV Azteca has significantly restructured its international business model, moving away from a reliance solely on traditional content licensing to a diversified revenue mix. The Mexican broadcaster revealed that its FAST division now generates 20%…
Despite seeing explosive growth that has pushed the BBC iPlayer ahead of major global competitors in the UK market, the corporation does not have a specific target for transitioning audiences from linear television to streaming,…
ZDF Studios, the commercial subsidiary of one of Europe’s largest broadcasters, it’s currently exploring some actions into FAST segment, relying on a strategy of single-IP channels and pan-European partnerships. Linette Zaulich, Director Unscripted at the…
Since its launch in December 2022, ITVX has recorded a 35% increase in viewer hours, positioning itself as a central pillar in ITV’s digital transition. According to data released by the broadcaster, the platform reached…
France Télévisions has started 2026 with a series of historic audience records, cementing its position as the leading free streaming offer in France. According to data released by the pub-caster, the group has achieved unprecedented…
Warner Bros. Discovery (WBD) has aggressively expanded its streaming footprint across Europe, launching HBO Max in eight new major markets including Germany, Italy, and Austria. However, unlike the direct-to-consumer (D2C) waves of the past decade,…
RTL Group is successfully executing its digital transformation strategy, reporting a massive surge in both streaming and digital advertising revenues for the first nine months of 2025. As the European media giant navigates a challenging…
ViX, the streaming platform owned by TelevisaUnivision, has reached 10 million paid subscribers and now accounts for nearly a quarter of the company’s total revenue. The figures were disclosed by Rafael Urbina, the company’s President…
Xiaomi is preparing the expansion of Xiaomi TV+, its proprietary FAST service. With over 600 channels now available worldwide, the company is placing a specific strategic emphasis on the fragmented European market, prioritizing ‘deep localization’…
Yango Play is advancing its operational strategy for 2026 with a focus on consolidating its position as an AI-driven ‘super app’ for MENA region. The platform is integrating video streaming, music, and gaming into a…
In just two years, Barcelona-based startup Love TV Channels has carved out a significant footprint in the crowded FAST landscape. By betting on hyper-specialized, localized content rather than broad entertainment, the company has expanded its…
The London week in late February, that included a good MIPLondon from Sunday to Tuesday, and The London Screenings from Monday to Friday, has showed above all fresh energy and sure roads about linear +…
Next March, the city of Lille will once again become one of the main decision-making centers for the global television fiction business. Series Mania Forum confirmed the formal start of preparations for its 2026 edition,…
C21 Media has revealed new details about Content Europe, its brand-new international market that will hold its first edition from April 21st to 23rd, 2026, in Lisbon. Designed as a comprehensive meeting point for content…
Con una agenda cargada de reuniones y acuerdos en marcha, Quantico Films llegó a Content Americas 2026 con objetivos claros y señales concretas de crecimiento. La productora está a punto de cerrar dos coproducciones entre…
Onur Sozener, head of sales de Calinos Entertainment, compartió su visión en Content Americas sobre un mercado que, lejos de frenarse, atraviesa un proceso de ajuste y redefinición. “El mercado va bien, tenemos muchas reuniones…
